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(Conclusion: some liberties were taken, armor-wise, in that gruesome face off between the Mountain and the Viper.)Īn invitation to travel to New York City to present at the Metropolitan Museum of Art offered an unexpected testing opportunity, compliments of the airline’s baggage restrictions:įor reasons of weight, space and cost, the solution to wear the armor over me was considered the best.
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Out of his metal suit, Jaquet has been known to amuse himself by analyzing the verisimilitude of Game of Thrones’ combat scenes. It may look like showboating, but these movements helped him assess how he’d perform in combat, as well as lower stress activities involving sitting down or standing up. The accomplished martial artist tested his mobility in the suit with a variety of highly public, modern activities: reaching for items on the highest supermarket shelves, jogging in the park, scaling a wall at a climbing gym, taking the Metro … We had to make compromises in the copying process, of course, because what interested me above all was to be able to do a behavioral study, to see how one moved with this equipment on the back rather than attaching myself to the number of exact rivets…we knew the composition and the hardness of the parts that we could compare to our replica. As Jaquet recalled in Sciences et Avenir: The result is based on a 15th century specimen in Vienna that has been studied by the Wallace Collection’s archaeometallurgist Alan Williams. Curious about the degree to which 15th-century knights were encumbered by their protective plating, medievalist Daniel Jaquet commissioned a top armor specialist from the Czech Republic to make a suit specific to his own personal measurements.